By Sue Carter Flinn
July 23, 2013
Quill and Quire
The Toronto International Film Festival has released the titles of 75 feature films that will appear as part of its September 5–15 lineup.
As in previous years, there are plenty of book adaptations and literary-inspired films. Based on the plot descriptions provided by TIFF, here are 12 to watch for:
The Art of the Steal: A motorcycle stuntman and art thief partners with his brother to steal one of the most valuable books in the world. Directed by Jonathan Sobol, and starring Jay Baruchel, Matt Dillon, Kurt Russell, and Terence Stamp.
Kill Your Darlings: This is the “previously untold story of murder that brought together a young Allen Ginsberg (Daniel Radcliffe), Jack Kerouac (Jack Huston), and William Burroughs (Ben Foster) at Columbia University in 1944, providing the spark that would lead to their Beat Revolution.”
Life of Crime: Daniel Schechter’s closing-night film is based on the novel The Switch by Elmore Leonard, in which two 1970s Detroit criminals kidnap the wife of a corrupt real-estate developer. Starring John Hawkes, yasiin bey (Mos Def), Jennifer Aniston, and Tim Robbins.
Mandela: Long Walk to Freedom: Idris Elba stars as Nelson Mandela in this biopic based on the former South African president’s autobiography.
The Railway Man: An adaptation of Eric Lomax’s memoir The Railway Man, which recalls his time as a prisoner of war at a Japanese labour camp during the Second World War, and his relationship with an interpreter, whom he holds responsible for his ill treatment. Stars Colin Firth, Jeremy Irvine, and Nicole Kidman.
The Right Kind of Wrong: A Canadian rom-com directed by Jeremiah Chechik, about a failed-writer-turned-dishwasher and “fearless dreamer who risks everything to show the girl of his dreams all that is right with the wrong guy.” Starring Ryan Kwanten, Sara Canning, and Catherine O’Hara.
Blue Is The Warmest Color: This French-language film, adapted from a graphic novel by Belgian artist Julie Maroh, won the Palme d’Or at the Cannes Film Festival. Look for an English-language adaptation of the book, to be published by Vancouver’s Arsenal Pulp Press, this fall.
The Great Beauty (La Grande Bellezza): Directed by Paolo Sorrentino, this Italian-language film is about a handsome, charming, but aging novelist who picks up a pen again after years of frustration.
The Invisible Woman: Ralph Fiennes directs and stars in this film about a mother and teacher (Felicity Jones), who is haunted by her past as a muse for Charles Dickens (Fiennes) and his passion for the theatre.
Joe: David Gordon Green adapts Larry Brown’s novel Big Bad Love, casting Nicolas Cage as an ex-con who takes a hard-luck kid (Tye Sheridan) under his wing.
Philomena: Stephen Frears directs this biopic based on The Lost Child of Philomena Lee, a non-fiction book by BBC correspondent Martin Sixsmith. Judi Dench plays Lee, mother to a boy conceived out of wedlock and subsequently given away for adoption, who enlists the help of Sixsmith (Steve Coogan) to help track down her long-lost child.
Violette: In Martin Provost’s France/Belgium co-production, author Violette Leduc meets Simone de Beauvoir in postwar Saint-Germain-des-Près, resulting in an intense lifelong relationship.
- See more at: http://www.quillandquire.com/blog/index.php/book-culture/twelve-lit-inspired-films-to-watch-for-at-tiff/#sthash.1MGeDGnR.dpuf
Tuesday, 27 August 2013
Tuesday, 20 August 2013
Libraries Everywhere! Where is the Public Library?
A couple of weeks ago, I highlighted the library for guests of a hotel. On Sunday, I was reading an article in Architectural Digest about the new Restoration Hardware flagship store in Boston. One of the amenities for shoppers is a library on the top floor. With the proliferation of 'Little Free Libraries' and libraries at resorts, hotels and stores, how does the public library fit into all this? While the need for an outlet for books and other materials for the public is evident, does the location have to be a public library?
Will the role of the public library as a Community Hub supersede the need to provide physical reading materials?
What do you think?
Will the role of the public library as a Community Hub supersede the need to provide physical reading materials?
What do you think?
Tuesday, 13 August 2013
Downton Abbey Season 4 Scoop
August 6, 2013 08:16 PM PDT
by Vlada Gelman TVline
Will Downton Abbey soon close its doors? Will Mary’s broken heart mend? And will Edith finally find love?
The cast and executive producers of the hit PBS drama gathered at the Television Critics Assoc. press tour in Beverly Hills on Tuesday night to unveil the first footage from Season 4, debuting Jan. 5. They also offered up some juicy teasers about what’s in store for Lady Mary, Edith, Daisy and the rest of the residents of the famous estate.
RELATED | Michelle Dockery on Dan Stevens Leaving Downton Abbey and Mary’s Future
A LOOK AHEAD | A sneak peek at the new season featured an emotionally distraught Mary throwing down her napkin at dinner and remarking that after everything Matthew went through in the war, it’s a cruel twist of fate that he would perish in a car accident. Seeing how much pain her granddaughter is in, the Dowager Countess tells Mary, “You must choose either death or life.” The matriarch also takes it upon herself to find a purpose for Mary: She enlists Tom to instruct the widowed mom in the running of the estate since she or her son own half of Downton. Also spotted in the clip package: Edith glams up to have dinner with her editor at a posh London restaurant; Rose tries to recruit Anna as her chaperon so she can attend an event; and everyone is atwitter over Valentine’s Day.
WORKING GIRL | Edith isn’t just flirting with her editor. “She is still involved with the paper [as a journalist], and it is a lot more complicated than that,” said her portrayer Laura Carmichael, who thinks of her character as “the Carrie Bradshaw of the ’20s.” “The death of Matthew really affects the whole family,” she continued. “So when we start, she hasn’t seen Michael Gregson for some time because the family’s been in mourning. … Their relationship is interesting and different to any of the others.” Executive producer Gareth Neame added that it is a “very different season” for Edith, full of “very active stories.”
MENDING HEARTS | “There are a number of new characters,” teased Neame. “There’s certainly some eligible bachelors.” As Michelle Dockery hinted to TVLine, “It’s important for [Mary] to eventually move on, so [Tom Cullen's character] is a potential love interest.” One person who won’t be wooing Mary is Branson. “We’re aware that there is suspicions about Tom and Mary’s relationship,” said the actress. “They are very much friends. He is her brother-in-law still. They become close because of what they’ve both been through. But romantically, I don’t think it’s going anywhere.”
RELATED | Downton Abbey Season 4 Casts Paul Giamatti as Cora’s Brother
MOTHER AND SON | “[Mary] was never going to be a very maternal mother,” admitted Dockery. “But also, she’s within the aristocracy. They didn’t see their kids very much. You don’t see much interaction between the baby and Mary. To begin with, it’s hard to bond with the baby because she’s going through the grief, and she looks at him and sees Matthew. It’s a slow process with motherhood.”
SERVANT ROMANCE | Mrs. Hughes and Carson won’t give in to their feelings just yet. “We still have a very nice working relationship,” shared Phyllis Logan. “We still have spats. We occasionally get to drink a glass of sherry.” Meanwhile, Daisy is “still in that bratty teenage stage with Ivy,” who’s attracting a lot of male attention, said Sophie McShera.
LOVE TO HATE | “It’s going to be a complex world for [Thomas] going forward,” previewed Neame. “[With O'Brien gone], there’s going to be a shake-up to what happens to his story.”
TO THE FUTURE | “What’s wonderful about the show is it’s opened doors for all of us,” said Dockery. “So many of the cast are doing things in between [seasons]… As far as we know, we’re all doing Season 5 next year. Beyond that, we really don’t know. As long as the core cast remains…” Neame chimed in that the series won’t be going off the air “anytime soon” thanks to its global appeal. “The show is so popular around the world now,” he said. “It’s beloved, and it’s in fine form. … The fourth season is in extremely good health. I think the show has got a lot further to go. If people around the world love the show, we want to make it.”
by Vlada Gelman TVline
The cast and executive producers of the hit PBS drama gathered at the Television Critics Assoc. press tour in Beverly Hills on Tuesday night to unveil the first footage from Season 4, debuting Jan. 5. They also offered up some juicy teasers about what’s in store for Lady Mary, Edith, Daisy and the rest of the residents of the famous estate.
RELATED | Michelle Dockery on Dan Stevens Leaving Downton Abbey and Mary’s Future
A LOOK AHEAD | A sneak peek at the new season featured an emotionally distraught Mary throwing down her napkin at dinner and remarking that after everything Matthew went through in the war, it’s a cruel twist of fate that he would perish in a car accident. Seeing how much pain her granddaughter is in, the Dowager Countess tells Mary, “You must choose either death or life.” The matriarch also takes it upon herself to find a purpose for Mary: She enlists Tom to instruct the widowed mom in the running of the estate since she or her son own half of Downton. Also spotted in the clip package: Edith glams up to have dinner with her editor at a posh London restaurant; Rose tries to recruit Anna as her chaperon so she can attend an event; and everyone is atwitter over Valentine’s Day.
WORKING GIRL | Edith isn’t just flirting with her editor. “She is still involved with the paper [as a journalist], and it is a lot more complicated than that,” said her portrayer Laura Carmichael, who thinks of her character as “the Carrie Bradshaw of the ’20s.” “The death of Matthew really affects the whole family,” she continued. “So when we start, she hasn’t seen Michael Gregson for some time because the family’s been in mourning. … Their relationship is interesting and different to any of the others.” Executive producer Gareth Neame added that it is a “very different season” for Edith, full of “very active stories.”
MENDING HEARTS | “There are a number of new characters,” teased Neame. “There’s certainly some eligible bachelors.” As Michelle Dockery hinted to TVLine, “It’s important for [Mary] to eventually move on, so [Tom Cullen's character] is a potential love interest.” One person who won’t be wooing Mary is Branson. “We’re aware that there is suspicions about Tom and Mary’s relationship,” said the actress. “They are very much friends. He is her brother-in-law still. They become close because of what they’ve both been through. But romantically, I don’t think it’s going anywhere.”
RELATED | Downton Abbey Season 4 Casts Paul Giamatti as Cora’s Brother
MOTHER AND SON | “[Mary] was never going to be a very maternal mother,” admitted Dockery. “But also, she’s within the aristocracy. They didn’t see their kids very much. You don’t see much interaction between the baby and Mary. To begin with, it’s hard to bond with the baby because she’s going through the grief, and she looks at him and sees Matthew. It’s a slow process with motherhood.”
SERVANT ROMANCE | Mrs. Hughes and Carson won’t give in to their feelings just yet. “We still have a very nice working relationship,” shared Phyllis Logan. “We still have spats. We occasionally get to drink a glass of sherry.” Meanwhile, Daisy is “still in that bratty teenage stage with Ivy,” who’s attracting a lot of male attention, said Sophie McShera.
LOVE TO HATE | “It’s going to be a complex world for [Thomas] going forward,” previewed Neame. “[With O'Brien gone], there’s going to be a shake-up to what happens to his story.”
TO THE FUTURE | “What’s wonderful about the show is it’s opened doors for all of us,” said Dockery. “So many of the cast are doing things in between [seasons]… As far as we know, we’re all doing Season 5 next year. Beyond that, we really don’t know. As long as the core cast remains…” Neame chimed in that the series won’t be going off the air “anytime soon” thanks to its global appeal. “The show is so popular around the world now,” he said. “It’s beloved, and it’s in fine form. … The fourth season is in extremely good health. I think the show has got a lot further to go. If people around the world love the show, we want to make it.”
Tuesday, 6 August 2013
Hotels Add Libraries as Amenity to Keep Guests Inside
Another in the series, Libraries aren't just Buildings Anymore. With all the different grassroots and hospitality-based 'libraries', are public libraries as we are doomed?
Daniel Rosenbaum for The New York Times
By AMY ZIPKIN
Published: July 29, 2013
Reading material in many hotel rooms has become about as spare as it can be — open the desk drawer and it might hold a Gideon Bible and a Yellow Pages.
But some hotels are giving the humble book another look, as they search for ways to persuade guests, particularly younger ones, to spend more time in their lobbies and bars. They are increasingly stocking books in a central location, designating book suites or playing host to author readings. While the trend began at boutique hotels like the Library Hotel in New York, the Heathman Hotel in Portland, Ore., and the Study at Yale in New Haven, it is expanding to chain hotels.
For these chains, a library — or at least the feel of one — allows a lobby to evolve from a formal space to a more homelike atmosphere, one that younger customers seek. Adam Weissenberg, vice chairman for the travel, hospitality and leisure groups at Deloitte, said, “My general impression is that this ties into changing demographics.” He added, “Younger travelers want to be part of the community.”
As with any other change in a hotel, there is a financial angle. Room revenue in hotels rose 6.3 percent in 2012 compared with a year earlier, but food and beverage revenue increased only 2.3 percent, according to PKF Hospitality Research Trends.
For hotels, the challenge is to persuade guests to spend more time, and money, in restaurants and bars, rather than venturing outside.
The Indigo Atlanta-Midtown hotel, for example, has a separate space in the lobby it calls the Library, with books, newspapers and coffee. The Indigo Nashville Hotel also has a library-style seating area.
Country Inns and Suites, with 447 hotels, now has an exclusive arrangement with Penguin Random, called Read It and Return Lending Library, that allows guests to borrow a book and return it to another location during a subsequent stay.
Scott Mayer, a senior vice president at Country Inns, says the goal is to provide guests, 40 percent of whom are business travelers, with “something they didn’t expect.”
Since early July (a version of the program was begun in 2001) the hotel chain has offered novels by Dean Koontz and Steve Berry and other Random House authors, as well as children’s books. A corporate blog contains an excerpt from Mr. Koontz’s March release, “Deeply Odd.” The circulating books for both authors will be from the backlist.
Mr. Berry is enthusiastic about a new outlet for his work. He called it “the easiest, most efficient, carefree way to put books into the hands of readers.”
In June, the Hyatt Magnificent Mile in Chicago completed a renovation that includes a bar stocked with books and magazines and a small number of computers.
Marc Hoffman, the chief operating officer of Sunstone Hotel Investors, which owns the hotel, says he has also brought the library concept to Sunstone’s other hotels, including the Renaissance Washington, D.C., Downtown Hotel which has books about presidents and sports; the Newport Regency Beach Hyatt; and the Boston Marriott Long Wharf, where he says books about the Boston Celtics, fishing and baseball are popular.
“We’re creating spaces people can relax in,” he said.
Bookstores and Web sites supplying hotels report an uptick in business. The Strand bookstore in New York, for example, sells books to the Library Hotel and the Study at Yale, as well as to hotels in Dallas, Houston, New Orleans, and Philadelphia, among others. Jenny McKibben, who coordinates the store’s corporate accounts, estimates that 60 percent of corporate business stems from hotels or design firms working for hotels.
Before the recession, she said, 15 to 20 hotels a year would call to order books. Now, with increased guest interest and newer technology that allows hotels to review pictures and title lists, the number of hotels ordering has increased to about 40 annually. “It’s a new luxury item,” she said of books.
Meanwhile the boutique hotels are personalizing a library-like experience even more.
At the Library Hotel in New York, where individual floors are assigned numbers from the Dewey decimal system and rooms have books within that classification, the hotel ran a haiku contest in April to celebrate National Poetry Month.
Steven Perles, an international lawyer practicing in Washington and a frequent guest, didn’t participate in the contest, but during a recent stay he considered his choice of the hotel. “Books are so much part of the appeal,” he said, although on an earlier trip he said he stayed in a room designated for Slavic languages and couldn’t understand any of them. Still, he gives the hotel high marks for its service.
Powell’s Books in Portland, Ore., supplies books to the Heathman Hotel in that city. Authors appearing at the bookstore or nearby Arlene Schnitzer Concert Hall, who stay at the hotel, go through a ritual of signing their most recent work to add to the hotel’s collection. The hotel has nearly 2,100 books signed by authors including works by Saul Bellow, Stephen King and Greg Mortenson. Guests have access to the library each evening.
Some hotels are staging author readings. Ahead of President Obama’s second inauguration, Lewis Lapham, editor of Lapham Quarterly and former editor of Harper’s Magazine, read excerpts from “A Presidential Miscellany,” a book he wrote, at the St. Regis Hotel in Washington.
The Algonquin Hotel in New York is looking to build on its rich literary history with a suite stocked with books from Simon & Schuster.
On a recent evening, more than 125 people gathered in the hotel’s main lobby to hear Chuck Klosterman, the author, essayist and columnist on ethics for The New York Times, read from his latest work, “I Wear the Black Hat,” published by Simon & Schuster.
Mr. Hoffman said that hotel books could become a souvenir. He says every book is stamped with the hotel name. And he concedes that some guests may take them home.
“We hope they remember the trip, remember the good times and go back again,” he said.
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